Traditional Marbling Patterns

Turkish or stone marbling.

Traditional marbling patterns.

Handmade marbled paper art on water papers are hand marbled with traditional marbling tools. You will need some tools such as wooden sticks to create. They are excellent for bookbinding grain long collage origami scrap booking and other paper crafts. They can be made in any other color theme you wish.

The featured pattern is called the feather pattern. Some other techniques to try create negative areas in the design by placing soapy water or small droplets of synthetic gall on the surface with an eye dropper or by sprinkling it on. Fancy combed across 9. These samplings are only meant to be a guideline and to show some basic traditional marbling patterns.

See more ideas about hand marbled paper marble paper ebru art. Using a comb in one direction after the gel git gives you the traditional non pareil pattern that most think of with marbling. Through several centuries people have applied marbled materials to a variety of surfaces. Turkey and persia 1.

To see many other colours and patterns please. Known as marbling the designs and effects include flowers foliage ornamentation latticework mosques and moons and are used for decoration in the traditional art of bookbinding. Brian mixed up two bath solutions for us one boiled from irish moss carrageenan in the traditional method and the other a more modern version mixed from commercially. Ebru is the traditional turkish art of creating colourful patterns by sprinkling and brushing colour pigments onto a pan of oily water and then transferring the patterns to paper.

The peacock is the most popular and famous pattern in marbling. Peacock or bouquet pattern. A traditional pattern often seen in old bookbindings this one has been around for centuries. Paper marbling is a method of aqueous surface design which can produce patterns similar to smooth marble or other kinds of stone.

It is often employed as a writing surface for calligraphy and especially book covers and end. We also discussed the challenges of researching and learning historical paper marbling patterns since there is no single agreed upon lexicon for describing the patterns. The shapes in this pattern look like feathers. With room to paste a sample of your work for each main pattern you ll then progress into 30 more advanced patterns.

Combed or nonpariel 12. The patterns are the result of color floated on either plain water or a viscous solution known as size and then carefully transferred to an absorbent surface such as paper or fabric. This is a very standard pattern it is the base from which all others derive. It s not one of the easiest to learn though.